{"id":3704,"date":"2025-04-18T09:00:57","date_gmt":"2025-04-18T14:00:57","guid":{"rendered":"https:\/\/subnivean.com\/blog\/?p=3704"},"modified":"2025-04-18T08:38:06","modified_gmt":"2025-04-18T13:38:06","slug":"did-you-know-the-first-woman-in-shakespeare","status":"publish","type":"post","link":"https:\/\/subnivean.com\/blog\/did-you-know-the-first-woman-in-shakespeare\/","title":{"rendered":"Did You Know? The first woman in Shakespeare"},"content":{"rendered":"<div id=\"pl-3704\"  class=\"panel-layout\" ><div id=\"pg-3704-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3704-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3704-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Picture credit: Yale Center for British Art, <a href=\"https:\/\/creativecommons.org\/licenses\/by\/3.0\">CC BY 3.0<\/a>, via <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Procession_of_Characters_from_Shakespeare_Plays_by_Unknown_British_artist.png\">Wikimedia Commons<\/a><\/p>\n<p>(This picture was made 200 years or so after the events I'm discussing, but I like the prominence of the women characters)<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-3704-0-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>[Note: I am re-posting some short articles I wrote for Theatre Unbound's website many years ago. Read <a href=\"https:\/\/subnivean.com\/blog\/tag\/did-you-know\">the full series<\/a>.]<\/p>\n<p><strong>The first woman to appear in a Shakespeare play did so in 1660 \u2013 44 years after Shakespeare\u2019s death.<\/strong><\/p>\n<p>It\u2019s well known that professional theatre troupes in Renaissance England included male actors only, so that the roles of, for instance, Juliet, Rosalind, Lady Macbeth, and Cleopatra were first played by boys. This doesn\u2019t mean that women never performed in England at that time. Noblewomen danced in masques at court, and visiting foreign troupes of players or acrobats sometimes included women, although the actresses in one French company were \u201cpippin-pelted\u201d by the audience when they appeared on a London stage in 1629. Overall, though, as Dympna Callaghan puts it, there was a \u201c<em>systematic<\/em> prohibition against female mimesis\u201d \u2013 women were not permitted to act onstage.<\/p>\n<p>Women did attend the theatre in significant numbers, although some commentators considered even this too public a role for women, saying that having women in the audience distracted from the stage performance and incited lewd behavior in men. Lewdness among audience members was one reason English Puritans considered theatre dangerous or sinful: others included the potential for spreading disease and the similarity of play-acting to lying. When, in the English Civil War, the Puritans gained control of London, <a href=\"https:\/\/subnivean.com\/blog\/government-shuts-theaters-1642\/\">they issued an order closing the theatres<\/a>, which then remained closed for eighteen years, from 1642 to the restoration of King Charles II in 1660.<\/p>\n<p>The new theatre patents issued by King Charles said:<\/p>\n<blockquote>\n<p>forasmuch as many plays formerly acted do conteine severall prophane, obscene and scurrilous passages, and the women\u2019s parts therein have been acted by men in the habit of women, at which some have taken offense\u2026we doe likewise permit and give leave that all the women\u2019s parts to be acted in either of the said two companies may be performed by women\u2026<\/p>\n<\/blockquote>\n<p>It didn\u2019t take long for theatre producers to use the permission they had been granted. In 1660, Thomas Jordan revived <em>Othello<\/em> with, for the first time, a woman playing Desdemona.<\/p>\n<p>Further reading:<\/p>\n<p>Brown, Pamela Allen &amp; Peter Parolin. <em>Women Players in England, 1500-1660: Beyond the All-Male Stage <\/em>(Aldershot: Ashgate Publishing Limited, 2005).<\/p>\n<p>Callaghan, Dympna. <em>Shakespeare without Women: Representing Gender and Race on the Renaissance Stage<\/em> (London; New York: Routledge, 2000).<\/p>\n<p>Orgel, Stephen. <em>Impersonations: the performance of gender in Shakespeare\u2019s England <\/em>(Cambridge: Cambridge University Press, 1996).<\/p>\n<p>Prynne, William. <em>Histromatix: The Player\u2019s Scourge, or Actor\u2019s Tragedy<\/em> (London: 1633).<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;Forasmuch as many plays formerly acted do conteine severall prophane, obscene and scurrilous passages, and the women\u2019s parts therein have been acted by men in the habit of women, at which some have taken offense, we doe likewise permit and give leave that all the women\u2019s parts may be performed by women.&#8221; Now THAT&#8217;s what I call a patent!<\/p>\n","protected":false},"author":1,"featured_media":3706,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[155,113,80],"class_list":["post-3704","post","type-post","status-publish","format-aside","has-post-thumbnail","hentry","category-theatre","tag-did-you-know","tag-restoration-theater","tag-shakespeare","post_format-post-format-aside"],"jetpack_featured_media_url":"https:\/\/subnivean.com\/blog\/wp-content\/uploads\/Procession_of_Characters_from_Shakespeare_Plays_by_Unknown_British_artist.png","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/posts\/3704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/comments?post=3704"}],"version-history":[{"count":4,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/posts\/3704\/revisions"}],"predecessor-version":[{"id":3709,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/posts\/3704\/revisions\/3709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/media\/3706"}],"wp:attachment":[{"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/media?parent=3704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/categories?post=3704"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/subnivean.com\/blog\/wp-json\/wp\/v2\/tags?post=3704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}